Tricia Serdon, a Filipino Canadian, grew up immersing herself in Disney movies, hoping to find a princess resembling her background. However, her quest took a turn with the release of “Forgotten Island.”
The film, a creation of Dreamworks Animation launched on Sept. 25, marks a significant milestone as the first major Hollywood animated feature to spotlight Filipino culture and mythology. It narrates the diverging paths of childhood friends Jo and Raissa, with Raissa pursuing college in the U.S. while Jo remains in the Philippines.
Within the storyline, the duo embarks on a journey through Nakali, a fantastical realm inhabited by legendary creatures derived from centuries-old Filipino folklore. The term “Nakali” stems from the Tagalog word “nakalimutan,” meaning “forgotten.”
Despite drawing inspiration from ancient legends, Nakali is not a direct representation but a creative reinterpretation of Filipino folklore. Characters like the manananggal, a vampiric being capable of separating its upper body to fly, and the kapre, a giant forest-dwelling entity, come to life on screen, resonating deeply with Serdon, who found the portrayal impressively accurate.
Directors Januel Mercado and Joel Crawford have long aspired to showcase Filipino culture in their work. The film’s mythical creatures serve as symbolic reflections of the characters’ emotional struggles, as exemplified by the weredog, representing the tumultuous nature of adolescence and self-discovery.
Beyond its magical elements, “Forgotten Island” captures the essence of Filipino family dynamics, portraying scenes of gatherings infused with humor, music, and culinary delights. This authentic depiction resonates with viewers, offering a refreshing portrayal of Filipino culture that transcends the usual narratives of hardship.
The movie’s commitment to representation extends beyond the screen, with a stellar cast of Filipino talents lending their voices to the characters. The involvement of Filipino artists both on and off-screen underscores the filmmakers’ dedication to authentic storytelling.
As Serdon reflects on her childhood longing for a relatable princess figure, she envisions a future where young Filipinos can readily identify with on-screen representation. “Forgotten Island” paves the way for a more inclusive narrative landscape, where Filipino stories can shine without delay.